Understated, tender and resonate. 3 1/2 out of 4 Stars
Never Let Me Go is not the first film about cloning and organ harvesting, yet it’s the first film to do so seriously, and in the subtlest of forms. In fact, the film is less about cloning and more about the human condition, which makes it truly original and effective.
This year has been a bad year for movies. Yes there have been highlights; Inception and Scott Pilgrim vs. the World were great, and there’s about five others that were really good watchable movies, but beyond that the competition drops off really quickly. Luckily, as we’ve exited one of the worst summers for film I can remember, we’ve begun to get back to the season where studios have deemed it is acceptable to release “good” movies. While not quite Oscar season, we still have been treated to what some say will be an Oscar contender in The Social Network, the new David Fincher film written by Aaron Sorkin and based on the story of the creation of the ubiquitous facebook.
Let’s get this straight. This is not really “the facebook movie.” When I say that, what I mean is that despite its name, it’s not really about facebook at all. To its great benefit, this film is about people, specifically a small number of characters, their friendship, and the way it was affected by greed, pride, and betrayal. It takes the backdrop of an important event in recent history and uses it to feature universal human truths and emotions in a way that every audience member should be able to relate to, not just the people of the “facebook generation” for which I unfortunately must count myself a part of. facebook’s effect on the world and the way we communicate is only dealt with tangentially, as in moments when characters declare that “facebook me” became a common phrase across the Harvard campus. Continue reading